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Author David Wiley

~ Author of science fiction and fantasy stories, choosing to write the stories that he would love to read.

Author David Wiley

Tag Archives: Writer’s Toolbox

Perfecting Your Poetry

14 Thursday Apr 2016

Posted by David Wiley in Writing Resources

≈ 1 Comment

Tags

poetry, Read, Writer's Toolbox, Writing Poems, Writing Prompts

I’ve been writing poetry off and on since 1999. During these seventeen years I’ve taken English classes, creative writing classes, read poetry books, read poetry essays, written poetry essays, and written a poem a day for a month. My greatest time of growth as a poet came while taking a graduate-level poetry writing course a few years ago, which allowed me to take note of a few habits that helped me to grow and become a better poet.

Sadly, I have not completed a poem since that class concluded. I have done some major revisions on one poem, a short epic called “Taking Down Goliath”, and have started working on two different poems in the meantime. One was taking a previous flash fiction piece that I wrote in 2012 and turning it into a ballad poem. I mean to return to that and finish it at some point, but other writing projects currently demand my attention.

The other I began just this morning. It is something I have felt on my heart for a few weeks now to do, and I just worked up the courage to begin today. I have a journal that sits beside my Bible. I’ve tried journaling. My wife is great at that in her walk with God. Not me. I’ve tried writing favorite verses but find I lose interest quickly. Today I turned to a new page and started writing a poem. My hope is to slowly fill the rest of the pages with some poems and then have a nice chapbook in my possession with poems that explore Bible stories, center around Scriptural passages, and give glory and praise to God.

So the five things I have discovered helped me to grow as a poet are fairly simple. Some may seem to be common sense. Others might seem surprising to you and run counter to what you would usually do when writing poems. Don’t balk at them! Trust me, each of these was very instrumental in my growth, as the challenge from some of them is what is needed to be forged into a better poet.

1. Write More Poetry – This really should be a given for anyone who writes, poetry or otherwise. The more you do something, the better you will become. A blank page won’t get accepted for publication, and the words don’t just magically appear on the page. And, no matter how busy your schedule might seem, there is always time to write. Even if that means waking up earlier or carrying a small notebook and pen with you everywhere you go. If you want to write more often, you will find the time. My own plan with my bigger project is not to sit and write a full poem each day, but rather to get down a few lines. I know I can find the time to do that.

2. Read More Poetry – This is another given for writers. A person who writes Mystery novels will read a lot of other mystery novels. Poets have it lucky because there aren’t many modern novel-length poems that we would have to read. I personally think that the best thing to do is read a variety of poems, spanning across different poetic movements and different time periods. Read the old, the really old, and the new. Read local and read poems from around the globe. It is easy to stick to a poet or an era you love the most, but that can only take you so far. There is a wealth of poetry out there to discover, and many of them are not found in anthologies like Best Loved Poems of the American People. Those are a great starting point, but they are far from being definitive sources. Pick up the complete works of a few major poets. Pick up some of the more specialized anthologies. Get a poetry collection from a local author at an Indie Bookstore.

3. Begin Compiling Your Favorite Poems – This is, essentially, what an anthology editor will do: select their favorite poems and put them all together. If you are like me, you have read anthologies and found some, or even many, of the poems didn’t stand out. But some will stand out. And by taking the time to write them, or type them, you will be reconstructing the poem and seeing it in a new way. Don’t just copy and paste it from a website. Type it out word-by-word. When you are done you will have a best-of poetry collection and you will, hopefully, learn a few things about the poems as you type them out. Bonus points if you take the time to annotate as well!

4. Use Writing Prompts – It seems like so many of the prompts are meant for poets because they focus on one moment, one scene, one idea. This is a free idea factory for any poet, which takes away the whole writer’s block excuse before it even starts. They also serve another purpose, which is to move you out of the comfort zone. We all have those topics we return to over and over. The prompt moves you into uncharted territory, which is why it also goes well with number five…

5. Experiment – This applies to topics, but also to something far more beneficial. Write poems (note this is plural, meaning do each one more than once!) in new formats, like the villanelle or sestina. Expand beyond the sonnet and, especially, past the modern habit of free verse. If you always capitalize the first word of each line, try writing poems without capitalization. If  each line is always a complete thought, write poems where the only line ending with a period or comma is the last line. Mix things up, sprint so far past your comfort zone that you can’t see it any more. The class forced me to do just that. One of my best poems was also the hardest one to write the rough draft for. I’ve not only discovered new formats for poetry, but I’ve also found that my natural style of writing a poem isn’t anything like what I wrote for those first thirteen years as a poet.

What are some of the things you think are most important for becoming a better poet or writer? Is there one thing that has helped you grow more than any other?

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Writing First Drafts

24 Thursday Mar 2016

Posted by David Wiley in Writing, Writing Resources

≈ 1 Comment

Tags

First Drafts, Manuscript, Writer's Toolbox, Writing

When it comes time to put pen to paper, or fingers to keyboard, there are obstacles that can get in the way of completing a first draft. This is, by far, the most important step to the process of writing a story or a novel, but there are an endless array of pitfalls standing between starting and finishing the project regardless of word count. Knowing how to overcome these obstacles are what separates those who wish they could be writers from the writers. Here are three techniques that I have found helpful when it comes to writing my own drafts:

Develop a Writing Routine and Stick to it

Raise your hand if you have ever thought to yourself “I should be writing, but I just don’t feel like it right now.” Yep, guilty as charged here as well. Yet I have never finished a writing session that I regretted doing, no matter how much I resisted it before beginning to write. It is easy to prioritize other things, and when you finally have the unplanned free time everything else sounds far more appealing than grinding out some words. As with most things, it takes time to develop a good writing habit. One of the best ways to accomplish this habit is to form a schedule or a routine and stick to it.

Some people advocate writing every day, and in an ideal world that is what we should all aim for. But there are pockets of time each week that we could pencil in the time to write. Find those times, even if they are only 15-30 minute windows, and dedicate one of those each day to writing. Set goals for each writing session, whether it be a time limit (I will sit and write for 15 uninterrupted minutes) or a word count objective (I will sit at my desk until I add at least 500 words to my current project). And stick to it. Figure out the times, and the requirements, that work best for you and then write. Don’t have email, Facebook, Twitter, or anything else open in another window. Put your phone on silent, if possible. Get your writing music playlist going before the timer begins if you are setting a time limit and don’t open it to change songs. Just write.

Relinquish control to your characters

If you are a planner, this advice will be paramount to the worst type of torture. You’ve spent hours developing an idea of how the next scene should play out. You dedicated months to detailing out a strict outline with a flow of events that take you from point A of the novel to point B in the novel. You know what the characters should do, what they should say, and what they had for breakfast for the last three months. But when you start to write they throw a curve ball at you and start to do something else.

Let them.

This is the first draft, after all, and when it comes time to revise your work you can straighten them out and get things back on the track they were supposed to follow. I love the advice of Anne Lamott in Bird by Bird regarding the first draft. She calls it the child’s draft, and suggests that even if your character wants to quip, “Well so what, Mr. Poopy Pants” at some point, you let them. Because it may take pages of unproductive nonsense to get to a point where you write something so strong and beautiful and incredible that you would never have reached by more adult, methodical methods.

It is great to have a plan. But don’t be afraid to do a little pantsing while writing the first draft. Your writing mind might uncover an excellent addition to your story through very unconventional means.

Don’t stop, don’t overthink, just write

When I am writing my rough draft there is a little voice inside that wants me to stop. It hates the momentum I am building because it sees all the little things that I should fix, or could improve upon, or need to research more about to make sure it is accurate. It has taken time and practice, but I have begun to ignore this voice because it is a draft killer. It wants me to get bogged down in the details of the stuff I have already written, preventing me from ever reaching the completion of the manuscript. And we all have been guilty, or know someone who has been guilty, of getting completely derailed by this voice. How can you tell?

If your chapter one has been touched up a dozen times and still is not quite perfect, but chapter two still hasn’t been written. If you have abandoned projects collecting dust, not due to them being uninteresting but because the inspiration flamed out before you could get anywhere close to the end. If you’ve spent hours reading about the nuances of a culture or profession in order to be accurate before sitting down to write a page or two of a scene before moving on in the manuscript.

Avoid the pitfalls of listening to this voice! You will misspell words and write sentences in the passive voice. You will write choppy and forced dialogue. You can have a big [INSERT DETAILS ABOUT SMELTING IRON ORE HERE] in your first draft. You don’t need to fix the little things in order to continue! The most important thing, from my own experience, is getting to the end first. Then you can go back and revise to your heart’s content, spending weeks immersed in detailed research or hours rewriting a single paragraph until it is perfect. Because you will already have a finished product in front of you, something that you can say is written. You might spend years revising a manuscript, going over it 7 times before it is ready to send off (or before you get something other than rejections), but at least it will be done. Reaching the end is something every aspiring writer dreams of.

Not all of them make it there. Be the exception and write your heart out. You can clean up the messy stuff later.

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Strong, Heroic Female Characters

17 Thursday Mar 2016

Posted by David Wiley in Writing Resources

≈ 2 Comments

Tags

Ava, Female Characters, Monster Huntress, Women in Fiction, Writer's Toolbox

“So, why do you write these strong female characters?

Because you’re still asking me that question.”

[Equality Now speech, May 15, 2006]”
― Joss Whedon

That quote from Joss Whedon has stood out in my mind for years, ever since I first heard it. The fact that it was a question being asked, not just once, but supposedly 48 times, shows that people can still struggle with the idea that women are just as capable of being awesome major characters in books, television shows, movies, etc. Granted, things have changed since that response by Whedon in 2006, but I am fully aware that I may encounter the same question when my own stories, which feature a strong female protagonist, get published. So I thought it fitting that, for my first writer’s toolbox post, I would share a few things that I have learned about writing strong female heroes, which can also be applied to writing female characters in general.

For the female perspective on how to write male characters, check out this great post by the writer who will be getting featured on this blog on Monday!

Tip#1 – Don’t place limits on what they can do simply because of gender.

This should be a no-brainer, and all the women reading this are probably already smiling and nodding enthusiastically because it is true. There are truly few things in the world that a man can do that a woman cannot, and vice versa. Yes, your character may have limitations based on your description of them (if they are a slender 90# wisp of a woman, they might not be able to swing a massive two-handed sword very effectively) but to disqualify them for something based on gender is dumb. If you are writing a story and get to a point where you would have the main character do X to solve it, don’t change that simply because your character is a woman.

Tip#2 – Your female characters should not be flawless physical specimens.

In fact, they should be as varied in size, strength, and appearance as your roster of male characters. Not every man you write is young, handsome, muscular, with perfect hair. They are not all suave or chivalric. They don’t all turn the heads of characters everywhere they go. Your female characters should be just as diverse as your male ones, both major and minor. They should not be perfect, nor believe that they are flawless in appearance. They should be just as flawed as a male protagonist. And no, having the one old crone does not count as varying your women.

Tip#3 – A strong heroine can like girly things.

This one came as a revelation when writing a scene for my book when Ava was younger. She had grown up idolizing her dad, having no real memories of her mother, and wanted to be a hunter of monsters just like him. Which meant her clothing of choice was geared toward travel and adventure rather than dresses. But there is a point where she is forced to dress like a noblewoman and gets her hair done and all those things that go with it. To my surprise as the writer, she loved getting to dress up. It didn’t make her a different character, but rather added another complex dimension to her. It makes the reader wonder if, under different circumstances, might she have grown into this other character who might attend balls and dance the night away.

But Ava draws the line with the shoes. She won’t wear those fancy shoes no matter what the circumstance. Because there are limits to how girly she’s willing to become.

So there are a few tips that I have for the men as they set out to write a strong heroic female character. She doesn’t have to be the main character, but your story can still have strong, supportive female characters. These tips should help you to avoid writing flat, one-dimensional women in your stories.

But the best thing to do in order to learn to write strong female characters is to read literature that has those strong female characters. Here are a few series recommendations:

Throne of Glass series by Sarah J. Maas
Graceling series by Kristen Cashore
Alanna series by Tamora Pierce
Abhorsen series by Garth Nix
Mistborn trilogy by Brandon Sanderson
Green Rider series by Kristen Britain
Seraphina series by Rachel Hartman
Leviathan series by Scott Westerfeld
Eon duology by Alison Goodman

What are some of your favorite books or series with strong, complex female characters?

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