Best Villains of 2016

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Anaerfell, Calamity, Into the Shadow Wood, Les Miserables, Siren's Song, The Count of Monte Cristo, The Magician's Nephew, The Prince Warriors, The Warded Man, Top Ten List, Unfinished Tales, Villains

Welcome to the third installment in my Top 10 of 2016. Be sure to check out my previous posts if you missed them, and check back in the coming days for the remainder of the series. Today I cover the best villains from books I read in 2016, so read on to find out who made the cut!

December 26: Best Books I’ve Read in 2016
December 27: Best Book Covers of 2016
December 28: Best Villains of 2016
December 29: Best Boyfriends/Girlfriends of 2016
December 30: Top 10 Books I’m Looking Forward to in 2017

10. Poneros from The Prince Warriors by Priscilla Shirer

The unseen evil force responsible for the never-ending war going on in Ahoratos, and the fictional stand-in for the forces of evil in our own world. His behind-the-scenes presence is strong enough to earn him a spot on the list.

9. Braeden from Into the Shadow Wood by Allison D. Reid

Granted, he never actively appears during the novella, but his fingerprints are all over the things descending upon Einar and his companions. The sinister overtone to this book grants Braeden a spot on this list.

8. Jadis from The Magician’s Nephew by C.S. Lewis

She snaps Uncle Andrew into complete subservience. She attempts to tempt Digory into using an apple for his own selfish wants, which would have twisted its power to make him and his mother miserable instead. And she will become the White Witch now that she has been unleashed upon Narnia.

7. Tyran and Drast’s father from Anaerfell by Joshua Robertson and J.C. Boyd

There is a lot of evidence throughout that Drast and Tyran have been molded into who they are by their father, who is abusive and power-hungry, which leaves the reader questioning whether the actions of the two brothers are their own fault or if the blame should fall squarely on the shoulders of their father.

6. Glaurung from Unfinished Tales by J.R.R. Tolkien

He manipulates Turin Turambar and his family into a tragedy that leaves them all dead. Glaurung is a sinister dragon that puts Smaug to shame, and is a part of one of the most heart-wrenching and memorable tales that Tolkien ever wrote.

5. Prof from Calamity by Brandon Sanderson

An unexpected shift, placing one of the primary heroes and the mentor of the series into the role of a super villain for the final book in the series. Things are intense as David and company try to defeat their old leader who has more than a few tricks up his sleeve.

4. Fernand Mondego, Danglars, and Villefort from The Count of Monte Cristo by Alexandre Dumas

They betrayed Edmund Dantes for various reasons, each one remaining silent as the man wrongly suffers for years of imprisonment. You cannot help but cheer Dantes on as he exacts his plots for revenge over the course of the book.

3. Inspector Javert from Les Miserables by Victor Hugo

The dogged persistence shown by Javert as he pursues Jean Valjean time and again makes him a memorable villain. His struggles with the morality of the situations, as the book winds down to its end, elevated him to become an even more interesting character.

2. The Rock Demon from The Warded Man by Peter V. Brett

This thing is massive. It loses an arm and spends a lot of the book chasing after the main character, who was responsible for the dismemberment. This demon is the thing of nightmares, as are many of the things that made appearances in the first book of this series.

1. Draewulf from Siren’s Song by Mary Weber

Ancient, wolf-formed shapeshifter whose armies are sweeping throughout the land, conquering kingdoms and dispatching rulers. Draewulf is exactly the villain I both love and hate, and the fact that his power continues to grow stronger makes him a looming threat.

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Book Review: The Magician’s Nephew by C.S. Lewis

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Aslan, C.S. Lewis, Digory, Inklings, Narnia, Polly, The Magician's Nephew

Title: The Magician’s Nephew

Book One in the Chronicles of Narnia

Author: C.S. Lewis

Published by: Reprint by HarperCollins (1/2/2008)

208 Pages (Paperback)

Blurb: A beautiful paperback edition of The Magician’s Nephew, book three in the classic fantasy series, The Chronicles of Narnia, featuring cover art by three time Caldecott Medal-winning illustrator, David Wiesner, and black-and-white illustrations by the series’ original illustrator, Pauline Baynes.

On a daring quest to save a life, two friends are hurled into another world, where an evil sorceress seeks to enslave them. But then the lion Aslan’s song weaves itself into the fabric of a new land, a land that will be known as Narnia. And in Narnia, all things are possible.

Witness the creation of a magical land in The Magician’s Nephew, the first title in C. S. Lewis’s classic fantasy series, which has captivated readers of all ages for over sixty years. This is a stand-alone novel, but if you want to journey back to Narnia, read The Lion, the Witch and the Wardrobe, the second book in The Chronicles of Narnia.

My Take: There is just nothing quite like exploring into Narnia, whether following the Pevensie children, Eustace and Jill, or Polly and Digory. This book, being the first chronologically (and the sixth written by Lewis), deals with the creation of Narnia and the entrance of evil into that new world. It is both uniquely different than the other books in the series, yet also strangely familiar throughout with the appearances of characters and prophecies that play important roles later in the series. This is the book that is a perfect starting point for those revisiting Narnia again, but arguably not the best book for the person making their very first venture into the series.

The scene with Aslan singing Narnia into existence was remarkable, and in itself quite similar to the approach Tolkien took toward the creation story of his fictional world in “Ainulindalë”. While there are certainly stark differences, such as Tolkien having Melkor disrupting the harmonies of the Ainur and Iluvatar during the song process, the fact that both men used music as a critical part of the creation process is certainly interesting to make note of.

Perhaps the greatest moment in the book involves a pivotal decision for Digory and whether to do what Aslan asked him, or to do something for selfish reasons. It was a powerful moment, and Aslan later hinted that the decision truly had rested with Digory but that, had he chosen differently, things may not have happened exactly how he would have hoped. This echoes into the theological debate about free will and predestination. It was moving and inspiring, as is so much that is Narnian.

Overall I loved revisiting this book. It was one I had skipped a few years ago when going back through the Narnian series for the first time as a Christian. I can safely say that I will never skip over this one again, although I think I will start my children with The Lion, the Witch and the Wardrobe when they first encounter Narnia.