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Author David Wiley

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Category Archives: Medieval Book Club

Medieval Book Club: Judith, Dream of the Rood, & Juliana

16 Friday Jun 2017

Posted by David Wiley in Books and Reading, Medieval, Medieval Book Club, poetry

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Anglo-Saxon, Dream of the Rood, Judith, Juliana, Medieval Book Club, poetry

Welcome to my sixth Medieval Book Club entry. For this month we read through some Anglo-Saxon poetry (in translation, of course), found free online here and here and here. If you haven’t had a chance to read them yet, follow those links and give them a read. Let me tell you, I really enjoyed reading through those poems this month, which seems to be a repeating trend with Anglo-Saxon poetry. After May’s disappointment, it was nice to retreat to what is becoming my safe space for Anglo-Saxon literature.

For July we will be reading Viking Age Iceland by Jesse L. Byock. The preview post for this one can be found here, and I am looking forward to reading that book. If you are at all interested, I would love to have you read along and come back to discuss that book on July 20th!

My Thoughts on Judith:

This poem was an interesting one. I enjoyed it, and how Judith beheaded Holofernes in the beginning and it turned out to be a fairly significant event by the end of the poem. I can’t be the only one, though, who found it fairly humorous that the warriors were standing around, afraid to interrupt their lord because they imagined he was still laying with Judith:

So the retainers in the morning-time chased down the strangers,
for the whole time until the lead-warriors of that militant people,
who were hostile, perceived that the Hebrew men had shown
a severe sword-swinging to them. Wordfully they went
to reveal that fact to the most senior of the lordly-warriors,
awakening the pennanted soldiers, and fearfully announcing
the frightful news—the morning-raid, the terrible play of blades—
to the mead-wearied. Then I heard at once
that the warriors doomed to die shook off their slumber
and the fallen-spirited went thronging in a crowd
to the sheltering tent of the baleful one, Holofernes.
They intended at once to announce the battle to their lord
before the terrible power of the Hebrews.
They all thought that the lord of warriors
and the bright maiden lay together inside that lovely tent,
the noble Judith and the lecherous one, terrifying and fierce.

There was not one of the nobles though who dared
to wake up that warfaring man or to discover how
the warrior had done with that holy woman,
the maiden of the Measurer. The armed might of the Hebrew people
drew nearer, fighting fiercely with hardened battle-weapons,
requiting with blades their ancient quarrel,
with splattered swords, their elder grudges.
Assyrian glory was diminished by that day-work,
their pride humbled. The warriors stood around
the tent of their lord, quite troubled, with downcast spirits.
Then they all together began to cough, making loud noises
and gnashing their teeth, deprived of the good, enduring grief.
Then was the end of their glory, of their blessings,
and their brave deeds. Then the earls considered how to awaken
their friendly lord—it prospered them not a jot.

That is probably the best scene there, with them coughing and gnashing their teeth outside the tent. Trying to subtly get his attention without raising his ire. And then the dramatic reveal: he is dead, and so they are all now doomed to lose to the Hebrews descending upon them.

All in all, this was a fun little poem, and it might be my favorite of the three this month. Dream of the Rood is close enough in standing that it might be a tossup between those two. But I really did enjoy this one, especially because of the humor woven in these scenes.

 

My Thoughts on Dream of the Rood:

This is a poem I have read several times now, and I always find myself enjoying this one. I actually was able to engage in a good discussion with some close friends about this poem, and it was fun to break it down a little and to consider how this poem almost appears to elevate the Cross to a saintly, idolic status to rival Mary.

On me, the Child of God
suffered awhile. Therefore I, triumphant
now tower under the heavens, able to heal
any one of them, those who stand in terror of me.
Long ago I was made into the hardest of torments,
most hateful to men, until I made roomy
the righteous way of life for them,
for those bearing speech. Listen—
the Lord of Glory honored me then
over all forested trees, the Warden of Heaven’s Realm!
Likewise Almighty God exalted his own mother,
Mary herself, before all humanity,
over all the kindred of women.

Sometimes it is hard to read poetry from a time when the Christian thought was predominantly Catholic in slant, as is the case with most Anglo-Saxon literature, because there will be things that stand out as being theologically inaccurate. And that is something I could talk about with all three of these poems, but I won’t go into those details here.

In spite of the attempts to make the Cross (known in the poem as the Rood) a significant symbol (which you could argue it has become that in our modern society), the approach on this poem is so unique that I always enjoy reading it. The dream of this man, retold in poetry, gives life and personality to the cross:

The young warrior stripped himself then—that was God Almighty—
strong and resolute—he climbed up onto the high gallows,
mindful in the sight of many, when he wished to redeem mankind.
I quaked when the warrior embraced me—
yet I dared not bow down to the ground, fall down to earthly regions,
but I must stand there firm. The rood was reared. I heaved the mighty king,
the Lord of Heaven—I did not dare to lean.

This is a poem I will return to time and again, and hope to someday soon revisit it in the Anglo-Saxon language. It is short, yet expressive and imaginative. Which is something I really enjoy in poetry.

My Thoughts on Juliana:

For those who thought the Medieval Literature would be silent about women, this month should have proven that thought wrong. Of the three poems read, this is the second one starring a woman. And wow, Juliana had quite the story about her life in here. You might dislike the emphasis on Juliana’s value being placed on her virginity, saving herself for Christ, it would have been a common perspective in this period. Without doing any research at all, I do know that a fair number of female saints had virginity as a trait among them. Likely because Christ was born of a virgin mother, so that would be viewed as the highest state in which a woman can achieve – equaling Mary’s accomplishment (although I’m not convinced she remained as such after the birth of Christ, so that really brings about a flaw in virginity equaling holiness for women. But that would be another discussion for another day…)

The scene where Juliana is talking to the demon (disguised as an angel) was an interesting one. Instead of taking the angel at his word, she prays to God for guidance and is instructed to grab hold of the angel. After that, she is able to get a very full confession out of the demon, and I feel like we’re missing something critical in that whole process because of the missing part of the manuscript. The deeds that the demon confesses to are curious to read, and I almost am left wondering if this could have partially been an inspiration to C.S. Lewis for his creation of The Screwtape Letters. It is likely not, but I did get a feeling that this could have inspired it and Lewis almost certainly would have read this poem in his time as a Medievalist.

And, of course, we have another piece missing after this discussion and then we jump straight into Juliana being tortured. Or, at least, they are attempting to torture and kill her but God protects her from all sorts of cruel and hideous methods. This echoes what is seen in many of the saintly stories – supernatural protection for them in body for a length of time but eventually they will suffer a death. Yet through it all, the saint is praising God and His glory. And, as is also common, the death appears to lead some to conversion.

Overall the poem spends a ton of time with Juliana interrogating the chained demon. We’re missing much of what Juliana suffered through prior to her death, which some might prefer to have it absent. While I enjoyed the poem and plan to read it again in the future, it didn’t stand out to me as much as the other two poems. This one was longer than the other two combined, yet I preferred them more.

Which of the three poems did you enjoy reading the most? What about that poem made it stand out from the others?

 

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Medieval Book Club Preview: Viking Age Iceland by Jesse L. Byock

15 Thursday Jun 2017

Posted by David Wiley in Books and Reading, Medieval, Medieval Book Club, Vikings

≈ 1 Comment

Tags

History, Jesse L. Byock, Medieval Book Club, Viking Age Iceland, Vikings

The popular image of the Viking Age is of warlords and marauding bands pillaging their way along the shores of Northern Europe. In this fascinating history, Jesse Byock shows that Norse society in Iceland was actually an independent one-almost a republican Free State, without warlords or kings. Combining history with anthropology and archaeology, this remarkable study serves as a valuable companion to the Icelandic sagas, exploring all aspects of Viking Age life: feasting, farming, the power of chieftains and the church, marriage, and the role of women. With masterful interpretations of the blood feuds and the sagas, Byock reveals how the law courts favored compromise over violence, and how the society grappled with proto-democratic tendencies. A work with broad social and historical implications for our modern institutions, Byock’s history will alter long-held perceptions of the Viking Age.

This is the seventh entry into the monthly Medieval Book Club, and we are shifting gears for two months and looking at Medieval Iceland. This month we’re immersing ourselves into Viking Age Iceland itself, learning a bit more about it historically. In August we’ll be reading on of the Icelandic Sagas, which should be a great deal of fun. I’ve held a pretty strong interest in this period for a few years now, and I have actually written a few stories that took place in the Viking era. So these two months should be a huge treat for me, at least, and I hope you enjoy joining along with them as well.

Here is the breakdown of chapters:

  • Introduction
  • An Immigrant Society
    • Language and the Term “Viking”
    • Leadership
    • Mord the Fiddle: A Leader and the Law
    • The Sagas: An Ethnography of Medieval Iceland
  • Resources and Subsistence: Life on a Northern Island
    • Turf Housing
  • Curdled Milk and Calamities: An Inward-Looking Farming Society
    • Provisions, Subsistence Strategies, and Population
    • Bad Year Economics: Difficulties of Life in the North Atlantic
  • A Devolving and Evolving Social Order
    • Ranking, Hierarchy and Wealth
    • Complex Culture and Simple Economy
    • Privatization of Power in the Tenth Century
    • A Proto-democratic Community?
    • Icelandic Feud: Conflict Management
  • The Founding of a New Society and the Historical Sources
    • The Effect of Emigrating from Europe
    • Land-taking and Establishing Order
    • Dating the Settlement: Volcanic Ash Layers
    • Closing the Frontier and Establishing Governing Principles
    • Written Sources: The Book of Settlements and The Book of the Icelanders
  • Limitations on a Chieftain’s Ambitions, and Strategies of Feud and Law: Eyrbyggja Saga
    • Arnkel’s Quest for Wealth and Power
    • Ulfar’s Land Shifts to Arnkel
    • Thorolf’s Land Shifts to Snorri Gothi
    • Ulfar Claims Orlyg’s Land
    • Ulfar’s Demise
    • The End of Arnkel’s Ambitions
  • Chieftain-Thingmen Relationships and Advocacy
    • The Nature of the Gothorth
    • Advocacy
    • Arbitration and Legalistic Feuding
    • The Flexibility of the Gothi-Thingman Relationship
    • The Social Effects of Concubinage
    • Distinctions of Rank
    • Hreppar: Communal Units
    • The Orkneys: A Comparison
    • Freedmen
  • The Family and Sturlunga Sagas: Medieval Narratives and Modern Nationalism
    • The Family Sagas
    • The Sturlunga Compilation
    • The Sagas as Sources
    • Modern Nationalism and the Medieval Sagas
    • Conclusions
    • The Locations of the Family Sagas
  • The Legislative and Judicial System
    • Thing: Assemblies
    • Options
  • Systems of Power: Advocates, Friendship, and Family Networks
    • Advocacy
    • The Role of Kinship
    • A Balancing Act
    • Friendship (Vinfengi and Vinatta)
    • Women and Choices of Violence and Compromise
      • Vengeance and Feud: Goading in Laxdaela Saga
      • A Goading Woman from Sturlunga saga
      • Retraint Within a Major Chieftain’s Household in the Sturlung Age
  • Aspects of Blood Feud
    • Territory
    • Marriage and Confused Loyalties
    • Some Conclusions
  • Feud and Vendetta in a ‘Great Village’ Community
    • The Language of Feud
    • Norms of Restraint
    • Bluffing and Violence
    • Outlawry
  • Friendship, Blood Feud, and Power: The Saga of the People of Weapon’s Fjord
    • Inheriting a Foreigner’s Goods
    • Brodd-Helgi’s Revenge against Thorleif
    • Struggle to Claim a Dowry
    • Skirmishes over a Woodland
    • Seeking a Thingman’s Allegiance
    • Brodd-Helgi Breaks Vinfengi
    • Geitir Establishes Vinfengi
  • The Obvious Sources of Wealth
    • Sources of Income Available Only to Chieftains
      • Early Taxes
      • Price-Setting
      • Additional Privileged Sources of Wealth
      • The Sheep Tax
    • Sources of Income Available to All Freemen
      • Trade
      • Slavery and the Rental of Land and Livestock
  • Lucrative Sources of Wealth for Chieftains
    • The Acquisition of Property in the Family Sagas
      • Disputed Property in the East Fjords: The Saga of the People of Weapon’s Fjord
      • Disputed Property in the Salmon River Valley: Laxdaela Saga
    • Inheritance Claims in the Sturlunga Sagas
      • The Struggle to Inherit Helgastathir: The Saga of Gudmund the Worthy
      • Inheritance Rights to Heinaberg: The Saga of Hvamm-Sturla
      • Resurgence of the Dispute over Heinaberg: The Saga of the Icelanders
  • A Peaceful Conversion: The Viking Age Church
    • Pagan Observance
    • A Viking Age Conversion
    • Geography and the Church
    • Early Bishops, Priests and Nuns
    • The Beginnings of a Formal Church Structure
  • Gragas: The ‘Grey Goose’ Law
    • Manuscripts and Legal Origins
    • Women and the Law
    • Marriage and the Church
  • Bishops and Secular Authority: The Later Church
    • Bishops
    • The Tithe and Church Farmsteads
    • Bishops and Priests in the Later Free State
    • The Church’s Struggle for Power in the Later Free State
    • Priests
    • Monasteries
  • Big Chieftains, Big Farmers and their Sagas at the End of the Free State
    • Big Farmers and the Family Sagas
    • Advantages Enjoyed by the Storbaendr
    • The Saga of the Icelanders in the Sturlunga Compilation
    • The Storgothar, Not Quite Rulers
    • Iceland’s Jarl
    • 1262-4: The Covenant with Norway’s King and the End of the Free State
  • Appendix I: The Law-speakers
  • Appendix 2: Bishops During the Free State
  • Appendix 3: Turf Construction
  • Appendix 4: A Woman Who Travelled from Vinland to Rome

Will you join me in reading this book? You can pick up a copy on Amazon at this link. The post for this book’s reading will be on July 20th, which is the third Thursday of that month.

Which of the chapters and/or subsections interest you the most? There is a lot of ground covered in 373 pages of book here, and I expect I’ll find most of it to be quite fascinating!

Check out the full list of books we’re reading this year for the Medieval Book Club.

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Medieval Book Club: Revelations of Divine Love

18 Thursday May 2017

Posted by David Wiley in Book Review, Books and Reading, Christian, Medieval, Medieval Book Club

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Book Review, Julian of Norwich, Medieval Book Club, Medieval Literature, Revelations of Divine Love

untitled1

Welcome to the fifth Medieval Book Club post on this blog. Here I will share some of my thoughts on the book, some observations on the material itself, and open a few questions toward you, the reader.

In case you missed it, for June we’re going to be reading three Anglo-Saxon Poems: Judith, the Dream of the Rood, and Juliana. Those poems are ones you can read free online, just follow the link to my preview post and you will find the link there to the poems. I hope you can join me for next month’s discussion as well, and I’ll be keeping this going all year long with posts on every third Thursday of each month in 2017.

My Thoughts: Let’s start off by being honest…this book left me disappointed. Last year I read a very brief biography of Julian of Norwich and that had me excited to dive into this book. And maybe that was the problem: I was expecting great things. And this book, while worthwhile to read and perhaps study, simply didn’t blow me away. I’m starting to think it is a “its not you, its me” thing, because I felt the same way about Augustine’s Confessions when I finally read that one. Which is a shortcoming on my side of things, because I know these are both worthwhile reads that holds merit in spite of the age of the writing. And I certainly found great things to mine from both of those texts. Revelations of Divine Love is full of thoughts and ideas that were, at the time, quite revolutionary in their scope and understanding. But it ends up being a book that I will probably never feel the urge to revisit again.

In spite of all of this, it certainly is a quotable book. So rather than focus on my own inability to enjoy a Medieval Christian text, I’ll focus more on sharing a few of the quotes that stood out to me. I did find that the reading of both the Short Text and the Long Text were a bit redundant. Perhaps it would be better if they weren’t read back-to-back. But overall there wasn’t too much in the Long Text, in terms of new thoughts, so it felt very repetitive when I was going through it. This is certainly a book where, if I revisited it again, I would probably choose one or the other to read through rather than both.

“… so our customary practice of prayer was brought to mind: how through our ignorance and inexperience in the ways of love we spend so much time on petition. I saw that it is indeed more worthy of God and more truly pleasing to him that through his goodness we should pray with full confidence, and by his grace cling to him with real understanding and unshakeable love, than that we should go on making as many petitions as our souls are capable of.”

“…we need to fall, and we need to be aware of it; for if we did not fall, we should not know how weak and wretched we are of ourselves, nor should we know our Maker’s marvellous love so fully…”

“…deeds are done which appear so evil to us and people suffer such terrible evils that it does not seem as though any good will ever come of them; and we consider this, sorrowing and grieving over it so that we cannot find peace in the blessed contemplation of God as we should do; and this is why: our reasoning powers are so blind now, so humble and so simple, that we cannot know the high, marvelous wisdom, the might and the goodness of the Holy Trinity. And this is what he means where he says, ‘You shall see for yourself that all manner of things shall be well’, as if he said, ‘Pay attention to this now, faithfully and confidently, and at the end of time you will truly see it in the fullness of joy.”

“And I saw that truly nothing happens by accident or luck, but everything by God’s wise providence. If it seems to be accident or luck from our point of view, our blindness and lack of foreknowledge is the cause; for matters that have been in God’s foreseeing wisdom since before time began befall us suddenly, all unawares; and so in our blindness and ignorance we say that this is accident or luck, but to our Lord God it is not so.”

“Grace transforms our failings full of dread into abundant, endless comfort … our failings full of shame into a noble, glorious rising … our dying full of sorrow into holy, blissful life. …. Just as our contrariness here on earth brings us pain, shame and sorrow, so grace brings us surpassing comfort, glory, and bliss in heaven … And that shall be a property of blessed love, that we shall know in God, which we might never have known without first experiencing woe.”

So my overall impression was that I wanted to like the book, and there is so much good, quotable material, but I found it to be a chore to read by the time I was immersed into the Long Text. It was certainly a worthwhile read, but not one I will be revisiting anytime soon. And if I do revisit it, I will probably not read both versions but instead choose one or the other.

What quotes stood out to you? Were there any thoughts and ideas that surprised you, based on the time period in which this was written?

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Medieval Book Club Preview: Judith, Dream of the Rood, & Juliana

15 Monday May 2017

Posted by David Wiley in Books and Reading, Medieval, Medieval Book Club, poetry

≈ 5 Comments

Tags

Anglo-Saxon, Book Club, Caedmon, Cynewulf, Dream of the Rood, Judith, Juliana, Medieval Poetry

Welcome to the sixth preview for the 2017 Medieval Book Club. For June we’re going to read a trio of Medieval poems, but these ones do not stem from the Bible. Of course, like many Medieval works, there may be Biblical allusions. The Dream of the Rood, in particular, is an overly Christian poem. This will be our last poetry month until the fall, so I hope you’ll join me in June with reading these poems! Read on for a short preview of each poem:

Title: Judith

Author: Unknown, although many attribute the authorship to Cynewulf or Cademon

Date of Composition: Unknown

Link to read for FREE: (https://anglosaxonpoetry.camden.rutgers.edu/judith/

Length: 348 Lines

Summary: Judith conveys a moral tale of heroic triumph over monstrous beings. Both moral and political, the poem tells of a brave woman’s efforts to save and protect her people. Judith is depicted as an exemplar woman, grounded by ideal morale, probity, courage, and religious conviction. Judith’s character is rendered blameless and virtuous, and her beauty is praised persistently throughout the poem.

Title: Dream of the Rood

Author: Unknown, but speculation includes Cynewulf and Caedmon

Date of Composition: Around the 8th century, based on the dating of the Ruthwell Cross where the poem is found in rune form.

Links to read for FREE: https://anglosaxonpoetry.camden.rutgers.edu/dream-of-the-rood/

Length: 156 Lines

Summary: The poem is set up with the narrator having a dream. In this dream or vision he is speaking to the Cross on which Jesus was crucified. The poem itself is divided up into three separate sections. In section one, the narrator has a vision of the Cross. Initially when the dreamer sees the Cross, he notes how it is covered with gems. He is aware of how wretched he is compared to how glorious the tree is. However, he comes to see that amidst the beautiful stones it is stained with blood. In section two, the Cross shares its account of Jesus’ death. The Crucifixion story is told from the perspective of the Cross. It begins with the enemy coming to cut the tree down and carrying it away. The tree learns that it is not to be the bearer of a criminal, but instead Christ crucified. The Lord and the Cross become one, and they stand together as victors, refusing to fall, taking on insurmountable pain for the sake of mankind. It is not just Christ, but the Cross as well that is pierced with nails. The Rood and Christ are one in the portrayal of the Passion—they are both pierced with nails, mocked and tortured. Then, just as with Christ, the Cross is resurrected, and adorned with gold and silver. It is honoured above all trees just as Jesus is honoured above all men. The Cross then charges the visionary to share all that he has seen with others. In section three, the author gives his reflections about this vision. The vision ends, and the man is left with his thoughts. He gives praise to God for what he has seen and is filled with hope for eternal life and his desire to once again be near the glorious Cross.

Title: Juliana

Author: Cynewulf, and the text is ascribed with his signature

Date of Composition: Likely sometime in the 9th century, although Cynewulf could have been around in the late 8th or early 10th century.

Links to read for FREE: https://anglosaxonpoetry.camden.rutgers.edu/juliana/)

Length: 731 Lines

Summary: The story begins by illustrating the harsh life for Christians under the rule of Galerius Maximian, describing various acts of violence visited upon Christians. Juliana is introduced as the daughter of Africanus of Nicomedia, who has promised Juliana’s hand in marriage to Eleusias, a wealthy senator and friend of Maximian. Although Juliana was born a pagan, she has converted to Christianity, and so she vehemently resists being married to the pagan Eleusias, not wanting to violate the relationship she shares with God.

When she publicly voices her dissatisfaction, Eleusias becomes outraged and insists that he has been publicly insulted. Africanus, upon hearing of this, becomes similarly outraged, believing his daughter has embarrassed him by refusing the hand of a man of much higher status. As a result, Africanus declares that Eleusias is free to punish Juliana in whatever way he wishes.

Eleusias proceeds to have Juliana stripped naked, hung from a tree by her hair, whipped, and beaten with rods for over two hours. Then she is thrown into prison.

While in prison, Juliana is visited by a demon pretending to be an angel of God, who tries to trick her into blasphemy. Juliana, being the epitome of unwavering Christian faith, doesn’t fall for the charade and prays to God for guidance. A voice tells her to reach out and grab the demon, and Juliana obeys.

This point forward contains the bulk of the story, in which Juliana and the demon have a lengthy war of words, with Juliana clearly dominating. She holds the demon and forces it to confess all of its wicked deeds several times over, ostensibly humiliating him forever in the kingdom of Hell.

After her victory over the visiting demon, Eleusias comes back for Juliana and seems to offer her a chance to change her mind. Not surprisingly, Juliana refuses him once again, and just as scathingly as before.

Eleusias then attempts to have Juliana burned alive in hot lead. Yet, even though he has Juliana placed in the fire, not a spot on her body or clothes is touched by the flames. Angrier than ever, Eleusias finally resolves to have Juliana beheaded, for which she becomes a Christian martyr.

 

****

So there you have it. I’m excited to dive into some more Anglo-Saxon poetry. Come back on the 18th of this month for our discussion of Revelations of Divine Love by Julian of Norwich, and then on June 16th for our discussion of these poems!

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Medieval Book Club: Exodus & Daniel

20 Thursday Apr 2017

Posted by David Wiley in Book Review, Books and Reading, Medieval, Medieval Book Club, poetry

≈ 1 Comment

Tags

Anglo-Saxon, Daniel, Exodus, Medieval Book Club, Medieval Poetry

Welcome to my fourth Medieval Book Club entry. For this month we read through some Anglo-Saxon poetry (in translation, of course), found free online here and here. If you haven’t had a chance to read them yet, follow this link and give them a read. Let me tell you, it was a blast reading through this poem and, if you are familiar with the stories in the Books of Exodus and Daniel, you’ll find yourself fascinated with this poetic retelling.

For May we will be reading Revelations of Divine Love by Julian of Norwich. The preview post for this one can be found here, and I am looking forward to reading that book. If you are at all interested, I would love to have you read along and come back to discuss that book on May 18th!

My Thoughts on Exodus:

I really, really loved reading through this poetic retelling of part of the book of Exodus. This was the poetic retelling that I had heard about where so much is adapted to the warrior culture of the Anglo-Saxons. We know, from reading the Bible itself, that there isn’t nearly so much emphasis placed on combat, or on shields or swords, but it is all very fitting for this culture. Also, having read Lewis’ work last month gave a greater insight to this work and how it fit in with their culture.

One of my favorite descriptions came with the details of the pillars representing God’s presence:

Heaven’s beacon climbed every evening, a second miracle,
it held fast wondrous after the sun’s setting,
shining with flames across that nation,
a burning beam. Glittering it stood over the archers,
with blazing limbs. The shelter of their shields shone,
the shadows dissolving, the deepest night-shades nearby
could not conceal their hiding places. The heavenly candle burned. (107b-115)

This new night-warden must by necessity remain over the army,
lest the desert-horror, the hoar heath-terror should end
their lives with a fearful seizure of a sea’s storms.
This scout had fiery hair, blazing beams—it threatened
the terror of fire in that army-troop, a hot flame,
so that he would consume the army in the wilderness,
unless they heeded to brave-hearted Moses.
The shining army shimmered, the shields glittered,
the shield-warriors saw the righteous way, the sign
above the masses, until the sea-fortress at the end
of land stood against the people’s force, eager on the forth-way.
The battle-camp arose; the wearied revived themselves,
meat-thanes brought food to the proud ones, restoring
their power. The sailors spread out their tents across the hills
after the trumpets sang. That was the fourth camp,
the resting-place for the shield-warriors beside the Red Sea. (116-34)

Clearly this is expanded from a small source, but the writer in me absolutely applauds many of the additions that were made because they add some flavor and detail to the story. There were references back to Moses’ early days and the plagues that released them from Egypt (okay, really it only referred to the final plague: the death of the firstborns) and I really would have been interested to see how that was all handled by Anglo-Saxon poets. Or what happened during Moses’ trip up Mount Sinai to lead the men to cast a golden calf (I imagine that would be a glorious description of feasting and revelry, with generous gold-givers and many casks of mead being downed).

And with the details in here, I am really surprised that there isn’t an Anglo-Saxon poetic version of the book of Joshua. It seems that the first ten chapters, at least, would align really well with the culture because of the conquest into the Promised Land.

My Thoughts on Daniel:

This was perhaps the more interesting of the two poems this month. I was surprised that it was longer, and equally surprised that the main focus would be on the two dreams and their interpretations. This poem seemed to have two primary purposes: to demonstrate the power of God to those who depend on him (as shown with the furnace and the lengthy praise & exultation there), and to demonstrate the pitfalls of pride (as really seen with the second dream). In fact, it really hammers that point over the readers’ head:

Daniel could not speak so many truthful words
unto his master through the craft of his wisdom,
but that the ruler would heed them,
the lord of middle-earth, but he puffed up his mind,
high from his heart—hard would he be punished for this! (593-97)

Then the king of the Chaldeans chanted a great boast
when he looked upon the city-works, the fortress of Babylon
towering so tall in its riches, with the fields of Shinar
wound about it—that the chief of armies
had wrought it all through a great miracle.
Then he became obstinate over all men,
overly proud in his heart because of the special grace
that God had given him, a realm over men
and the world to wield in this human life: (598-607)

“O my city, you are mighty and wide-renowned,
which I have built to my own glory, a roomy realm.
I shall keep my rest in you, a seat and a home.” (608-11)

Then, on account of this boasting, the lord of men
became seized and departed into flight,
alone in his over-pride above all men.
So he went forth as men do in days of struggle,
upon the most bitter path in God’s punishment,
who, living through, soon regain their homeland,
and so did Nebuchadnezzar, after the enmity of God,
swift from the heavens, had punished him terribly. (612-21)

I really think they would have nailed the Lion’s den, but sadly it did not appear in this poem. Yet it is still a great read, if in a very different way from the Exodus poem. This has more of a moralistic feel to it than Exodus, or even Genesis, did.

Questions:

  1. What were your overall impressions from reading the poems? Were there parts of either poem that really stood out to you as being more enjoyable to read in this format?
  2. Which Biblical stories would you like to see done in Anglo-Saxon form? They did the Genesis stories, Exodus, and Daniel. Are there any other stories or books in the Bible that stand out as ideal for Anglo-Saxon poetry? My thoughts are that Samson and Joshua would be prime candidates.
  3. While this is certainly no replacement for Scripture, do you think an approach like this could make the Bible, or parts of the Bible, easier for today’s readers to read and enjoy while still taking away key principles from Scripture?

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Medieval Book Club Preview: Revelations of Divine Love by Julian of Norwich

15 Saturday Apr 2017

Posted by David Wiley in Books and Reading, Medieval, Medieval Book Club

≈ 1 Comment

Tags

Christian, Julian of Norwich, Medieval Book Club, Medieval Literature, Revelations of Divine Love

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One of the first woman authors, Julian of Norwich produced in Revelations of Divine Love a remarkable work of revelatory insight, that stands alongside The Cloud of Unknowing and Piers Plowman as a classic of Medieval religious literature

After fervently praying for a greater understanding of Christ’s passion, Julian of Norwich, a fourteenth-century anchorite and mystic, experienced a series of divine revelations. Through these ‘showings’, Christ’s sufferings were revealed to her with extraordinary intensity, but she also received assurance of God’s unwavering love for man and his infinite capacity for forgiveness. Written in a vigorous English vernacular, the Revelations are one of the most original works of medieval mysticism and have had a lasting influence on Christian thought. This edition of the Revelations contains both the short text, which is mainly an account of the ‘showings’ themselves and Julian’s initial interpretation of their meaning, and the long text, completed some twenty years later, which moves from vision to a daringly speculative theology.

Elizabeth Spearing’s translation preserves Julian’s directness of expression and the rich complexity of her thought. An introduction, notes and appendices help to place the works in context for modern readers. 

This is the fifth entry into the monthly Medieval Book Club, and this is a work I am actually looking forward to quite a bit. Last year I was able to read a short introduction to Julian of Norwich, and she led quite the fascinating life. So when it was time to select the twelve works for this year, there was little chance I would leave off Julian’s primary work. Being able to read both the long and short text should be great because it will allow us to see what made it and what was removed. Do they provide the same overall experience, or is a lot missing if someone reads just the short text? It is also nice to find books which mention further reading that an interested reader can check out. I do hope you’ll join me in reading her work this May and come back to discuss it.

Here is the breakdown of chapters:

  • Introduction
  • Further Reading
  • Translator’s Note
  • Short Text
  • Long Text
  • Appendix 1: List of Showings
  • Appendix 2: Original Texts of the Revelations
  • Appendix 3: Margery Kemp’s Meeting with Julian

Will you join me in reading this book? You can pick up a copy on Amazon at this link. If you have a different version, or pick up a Kindle Version, that will suffice as the discussion will really center on the Long Text and the Short Text so it will not be dependent on using this version. The post for this book’s reading will be on May 18th, which is the third Thursday of that month.

Check out the full list of books we’re reading this year for the Medieval Book Club.

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Medieval Book Club: The Discarded Image by C.S. Lewis

16 Thursday Mar 2017

Posted by David Wiley in Book Review, Books and Reading, C.S. Lewis, Medieval, Medieval Book Club, Renaissance

≈ 1 Comment

Tags

C.S. Lewis, Inklings, Medieval Book Club, Medieval Literature, Medieval Model, Medievalist, Renaissance Literature, The Discarded Image

Welcome to the third Medieval Book Club post on this blog. Here I will share some of my thoughts on the book, some observations on the material itself, and open a few questions toward you, the reader.

In case you missed it, for April we’re going to be reading two Anglo-Saxon Poems: Exodus & Daniel. Those poems are ones you can read free online, just follow the link to my preview post and you will find the link there to the poems. I hope you can join me for next month’s discussion as well, and I’ll be keeping this going all year long with posts on every third Thursday of each month in 2017.

My Thoughts: I knew, from the table of contents, that this book would not end up being what I had expected. My expectation was a book that introduced readers to some of Lewis’ own thoughts and insights on major literary works from the Medieval and Renaissance eras. Something that you would expect to find in an introductory course on the topic, sort of a guide through the books that everyone should start with when reading in those time periods. And boy, was I far off the mark. Yet I have never been so glad to have been so wrong, because this turned out to be a fun, engaging, and insightful read!

There were many quotes that stood out to me as I read the book but, unfortunately, I am not a great note taker nor a highlighter as I read so they have all vanished from my memory bank. I am hoping some of you can share some of your favorite quotes. But one in particular, very early in the book, struck me as interesting and so I diligently went back to the book and found it again to share:

“Every writer, if he possibly can, bases himself on an earlier writer, follows an auctour: preferably a Latin one. This is one of the things that differentiate the period almost equally from savagery and from our modern civilization. In a savage community you absorb your culture, in part unconsciously, from participation in the immemorial pattern of behaviour, and in part by word of mouth, from the old men of the tribe. In out own society most knowledge depends, in the last resort, on observation. But the Middle Ages depended predominantly on books.”

When you think of the Middle Ages, odds are you don’t think of a bookish culture. Or, at least, you didn’t until you read this book. I know I certainly did not, as the literacy rate was certainly not as high as it would be today. Yet it also makes some sense. You see a lot of works being generated which refer back to, draw upon, or modify preexisting works. As Lewis mentioned late in the book, originality and novelty were not valued among writers during that time. They would have been baffled at our current need to write something completely new and fresh rather than building upon the great works that came before us. And this is one place where I, as both a reader and a writer, wish we could shift back toward at least a little. Fairy tale retellings is a popular trend, as is working with placing mythologies in modern settings, but as a whole we fall victim to a “Cult of the New” where we always want something that we’ve never seen before or heard before or read before.

And this was characterized in these quotes:

(discussing how Medieval authors, despite the rarity of books, often presented or repeated things their audience already knew): “One gets the impression that medieval people, like Professor Tolkien’s Hobbits, enjoyed books which told them what they already knew.”

(discussing the prevalence of additions to not-necessarily-original works in the medieval): “One is tempted to say that almost the typical activity of the medieval author consists in touching up something that was already there.”

Another quote I enjoyed, which I rediscovered via a Google search on quotes from this book:

“A good medievalist (A. J. Carlyle) once said in my hearing, ‘The typical Knight of the Middle Ages was far more interested in pigs than in tournaments’.”

This ties in with Lewis’ discussion about how our idea of that era comes from the Romances and Ballads that were not the works that truly characterized the period. They are closest to our modern tastes in terms of the works produced, but they would not have been heralded by the people of that period as being their most important works. So the Arthurian romances, among others, where knights rode from tournament to tournament and sought challenges to prove their bravery were not accurate representations of how things truly were. That absolutely fascinated me, and at the same time makes perfect sense.

All in all, I must echo what Lewis confessed at the end:

“I have made no serious effort to hide the fact that the old Model delights me as I believe it delighted our ancestors. Few constructions of the imagination seem to me to have combined splendour, sobriety, and coherence in the same degree. It is possible that some readers have long been itching to remind me that it had a serious defect; it was not true.”

This book centered around what the people of that time believed and how that Model shaped their perspective toward the world as much as toward their own literary works. This was Lewis’ final book that was published, and it certainly stands as a masterpiece in my opinion, a blending of his lifetime’s achievement as both a Medievalist and as a Christian because in many sections he is able to bring those two things together in presenting that Model. I am often overawed when I read the nonfiction of C.S. Lewis, and I marvel at the brilliant mind that penned so many works. I hope to one day possess a fraction of the knowledge and insight that he had.

So my overall thoughts were very positive. This book was not at all what I expected and the only author I was familiar who had a section in there was Boethius. I had anticipated coverage of the greats like Chaucer, Dante, or Gower and, while they certainly had mentions throughout, as a whole he seemed to touch upon the lesser-known yet still impactful authors who shaped and/or represented the views of the men and women during that period.

What quotes stood out to you? If you were to take an introductory course on Medieval and/or Renaissance Literature, do you think this would be a good book to consider having on the syllabus?

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Medieval Book Club Preview: Exodus & Daniel

15 Wednesday Mar 2017

Posted by David Wiley in Books and Reading, Christian, Medieval, Medieval Book Club

≈ 1 Comment

Tags

Anglo-Saxon, Daniel, Exodus, Medieval Book Club, Medieval Poetry, Old English

Welcome to the fourth preview for the 2017 Medieval Book Club. For April we’re going to read a pair of Medieval poems which, as you might guess, are retelling the stories found in the Books of Exodus and Daniel from the Bible. I’m curious to see how true they stay to the source material, and to see where they allow their own culture to seep in and influence the poetic works. Back in February we read Genesis A&B which, while having some diversions from the source material, as a whole stayed pretty true to the content while adding some cultural flavor. You can check out my review on Genesis A&B here, and read on for a short preview of April’s selections:

Titles: Exodus & Daniel

Authors: Unknown, rumored to be Cædmon

Dates of Composition: Unknown, part of the Junius Manuscript which is typically dated around the 10th Century

Links to read for FREE: Exodus & Daniel (https://anglosaxonpoetry.camden.rutgers.edu/exodus/ & https://anglosaxonpoetry.camden.rutgers.edu/daniel/)

Length: Exodus: 590 lines; Daniel: 764 lines

Summary: Exodus:

Exodus is not a paraphrase of the biblical book, but rather a retelling of the story of the Israelites’ Flight from Egypt and the Crossing of the Red Sea in the manner of a “heroic epic”, much like Old English poems Andreas, Judith, or even the non-religious Beowulf. It is one of the densest, most allusive and complex poems in Old English.

Exodus brings a traditional “heroic style” to its biblical subject-matter. Moses is treated as a general, and military imagery pervades the battle scenes. The destruction of the Egyptians in the Red Sea is narrated in much the same way as a formulaic battle scene from other Old English poems, including a ‘Beast of Battle’ motif very common in the poetry.

The main story is suspended at one point to tell the stories of Noah and Abraham’s sacrifice of Isaac. Some scholars consider this change of subject a feature of the “epic style” comparable with the similar digressions in Beowulf.

Daniel:

The Old English Daniel is based only loosely on the Biblical Book of Daniel from which it draws its inspiration. Daniel ignores the majority of the apocalyptic and prophetic writing found towards the end of the Biblical source, and focuses instead on the first five chapters of the narrative. The poem also leaves out Daniel being thrown into the lions’ den.

The primary focus of the Old English author was that of The Three Youths, Daniel and their encounters with the Babylonian king Nebuchadnezzar II (OE Nabuchodnossor). The three men and Daniel were about 14 when they were taken away. The three youths are named Ananias, Misael, and Azarias. Daniel is called aethele cnithas, meaning that he was to be trained a servant for the king. Daniel was put into servitude and him and the youths were also probably made eunuchs, the speculation comes because the master of the eunuchs trained the youths in divination, magic, and astrology.

The poet even changed the meaning of the story from remaining faithful while you are being persecuted to a story dealing with pride, which is a very common theme in Old English Literature. The Old English, Daniel is a warning against pride and there are three warnings in the story. The Israelites were conquered because they lost faith in God, who delivered them from Egypt, and started worshiping idols and this is the first prideful act. The second and third warnings are about internal pride, shown to Nebuchadnezzar through Daniel’s dream interpretations.

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Medieval Book Club: Genesis A&B

16 Thursday Feb 2017

Posted by David Wiley in Book Review, Books and Reading, Medieval, Medieval Book Club

≈ 3 Comments

Tags

Abraham, Adam and Eve, Anglo-Saxon, Book Review, Genesis A&B, Medieval Book Club, Noah, poetry

Welcome to my second Medieval Book Club entry. For this month we read through some Anglo-Saxon poetry (in translation, of course), found free online. If you haven’t had a chance to read them yet, follow this link and give them a read. Let me tell you, it was a blast reading through this poem and, if you are familiar with the stories in the Book of Genesis, you’ll find yourself fascinated with this poetic retelling.

For March we will be reading The Discarded Image by C.S. Lewis. The preview post for this one can be found here, and I am looking forward to reading that book. If you are at all interested, I would love to have you read along and come back to discuss that book on March 16th!

My Thoughts on Genesis A&B:

I really, really loved reading through this poetic retelling of the major stories in Genesis. This captures so many major events throughout the Book of Genesis:

The fall of Satan
God creating the earth
God creating Eve (the pages with about half of the creation story, including Adam, are missing from the manuscript)
The temptation of Eve and her persuasion of Adam to eat the fruit
The fall of man and removal from the Garden of Eden
Cain and Abel
Noah and the Flood
The tower of Babel
Abraham up through the sacrifice of Isaac

As mentioned above, there are spots where the website indicated pages were missing from the manuscript, which is most disappointing early on with the removal of much of God’s creation of the world. We do not see his forming of fish, birds, beasts, or Adam. Yet even with the missing pages, this is a wonderful rendition. I loved seeing the various ways in which the Anglo-Saxon culture was woven into the poetry: gold-givers, thanes, emphasis on combat, the sending of a raven before the dove on the ark, and many others. In spite of these flavorful additions, the poem mostly stays true to Scripture.

It would seem that this poem might have been the influence for Milton’s Paradise Lost, as it begins with Satan being cast down from Heaven and then, a little later, returns to him and has him sending his fallen angels out to try and corrupt mankind. It is not Satan, but one of his minions that tempts Eve. There is a tree of life, but that is not the forbidden tree that Adam and Eve eat from but rather one that is black and corrupted. And the serpent tries to persuade Adam first, who rejects the offer and scorns the serpent before it turns to convince Eve. These are likely made with no ill intent, but they are among some of the major deviations. Yet that being said, I enjoyed them as they added a little extra character and some variety to a story that I know so well from the Bible. It’ll never become what happened, but I can appreciate the creativity here.

There really isn’t much more to say about this. I wish that we could have seen their version of Joseph’s story, as I am certain it would have held some great gems that tied into their culture. I am also very excited to read the Anglo-Saxon poems for Exodus and Daniel a little later this year. It is great that they created these poems in Old English, long before printed Bibles could be easily manufactured. It would have allowed everyone to know some of these basic stories without the need to read latin or any other unfamiliar language in which the few Bibles would have been transcribed into. The best way to ensure the religion spreads through the culture would be to take the stories, put into their common language, and put a modern flavor on some aspects of the stories. That is exactly what we have here.

And, true story, I laughed when I read that Noah sent a raven out from the ark.

Questions:

  1. What were your overall impressions from reading the poem? Were there parts of the poem that really stood out to you as being more enjoyable to read in this format?
  2. Which Biblical stories would you like to see done in Anglo-Saxon form? They did these Genesis stories, Exodus, and Daniel. Are there any other stories or books in the Bible that stand out as ideal for Anglo-Saxon poetry? My thoughts are that Samson and Joshua would be prime candidates.
  3. While this is certainly no replacement for Scripture, do you think an approach like this could make the Bible, or parts of the Bible, easier for today’s readers to read and enjoy while still taking away key principles from Scripture?

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Medieval Book Club Preview: The Discarded Image by C.S. Lewis

15 Wednesday Feb 2017

Posted by David Wiley in Book Review, Books and Reading, C.S. Lewis, Medieval Book Club

≈ 7 Comments

Tags

Book Club, C.S. Lewis, Medieval Book Club, Medieval Literature, Medievalist, reading, Renaissance Literature, The Discarded Image

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 The Discarded Image paints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the middle ages and renaissance. It describes the ‘image’ discarded by later years as ‘the medieval synthesis itself, the whole organization of their theology, science and history into a single, complex, harmonious mental model of the universe’. This, Lewis’s last book, has been hailed as ‘the final memorial to the work of a great scholar and teacher and a wise and noble mind’.

This is the third entry into the monthly Medieval Book Club, and this is one of the ones I am most excited to read. Why? C.S. Lewis was not only an author of excellent stories and one of the brightest layman Christian writers of his time. He was also a Medievalist, and so any chance to look at his thoughts about the literature of that period is something I get excited about. This is tagged as an introduction to Medieval and Renaissance Literature, and I fully expect about 70% of what he discusses to be above my own level of understanding because this man was intelligent on a level I could never hope to achieve. Yet I hope it will be worthwhile to wade through his work and, hopefully, walk away a little brighter than I had been in the beginning. Here is the breakdown of chapters:

  • Preface
  • The Medieval Situation
  • Reservations
  • Selected Materials: The Classical Period
    • The Somnium Scipionis
    • Lucan
    • Statius, Claudian, and the Lady Natura
    • Apuleius, De Deo Socratis
  • Selected Materials: The Seminal Period
    • Chalcidius
    • Macrobius
    • Pseudo-Dionysius
    • Boethius
  • The Heavens
    • The Parts of the Universe
    • Their Operations
    • Their Inhabitants
  • The Longaevi
  • Earth and Her Inhabitants
    • The Earth
    • Beasts
    • The Human Soul
    • Rational Soul
    • Sensitive and Vegetable Soul
    • Soul and Body
    • The Human Body
    • The Human Past
    • The Seven Liberal Arts
  • The Influence of the Model
  • Epilogue

Will you join me in reading this book? You can pick up a copy on Amazon at this link. The post for this book’s reading will be on March 16th, which is the third Thursday of that month.

Check out the full list of books we’re reading this year for the Medieval Book Club.

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